Tough work, this indexing

Posted by Colleen on August 12, 2015 in Blog

But somebody’s gotta do it.

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Official New Mexico Statutes and Rules

Posted by Colleen on May 13, 2015 in Blog

“We really value your services and I know you meet every deadline.”

Eve Greene, publisher

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Books will endure

Posted by Colleen on April 16, 2015 in Blog

Eyeglasses on Open Book

Readers have proven their devotion to the written word for centuries. How they will do so in the years ahead remains uncertain in a variety of ways. But books are here to stay.

 

Read more in The Atlantic

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A Spirituality of Being Human

Posted by Colleen on February 5, 2015 in Blog

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En el asilo

Posted by Colleen on December 15, 2014 in Blog

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Garfield

Posted by Colleen on December 5, 2014 in Blog

#garf

 

Index noir

Posted by Colleen on November 5, 2014 in Blog

#me5.

 

 

 

 

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Findable

Posted by Colleen on October 20, 2014 in Blog

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find´a`ble 

ADJECTIVE: Capable of being found; discoverable.

Luke, my 7-year-old grandson, has reorganized his books so he can find things.

 

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Indexing – only amateurs do it for their own books

Posted by Colleen on October 9, 2014 in Blog

She said that indexing was a thing that only the most amateurish author undertook to do for his own book.

“It’s a revealing thing, an author’s index of his own work,” she informed me. “It’s a shameless exhibition—to the trained eye.”

“She can read character from an index,” said her husband.”

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Acousmatic: a rare word

Posted by Colleen on September 6, 2014 in Blog

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Derived from the Greek: adjective, indicating a sound that one hears without seeing what causes it.

It describes an experience which is very common today but whose consequences are more or less unrecognized, consisting of hearing sounds with no visible cause on the radio, records, telephone, tape recorder, etc.

Acousmatic listening is the opposite of direct listening, which is the “natural” situation where sound sources are present and visible. The acousmatic situation changes the way we hear. By isolating the sound from the “audiovisual complex” to which it initially belonged, it creates favorable conditions for reduced listening which concentrates on the sound for its own sake, as sound object, independently of its causes or its meaning (although reduced listening can also take place, but with greater difficulty, in a direct listening situation).

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